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All Pakistan Music Conference
The All Pakistan Music Conference (APMC) was founded in 1959 for the promotion of classical music in Pakistan. Ever since its inception, it has been a constant source of inspiration for thousands of music lovers nationwide.
==History==
At the time of the independence of Pakistan in 1947, Pakistan was so beset with insurmountable social, economic and political problems that fine arts virtually remained neglected. History's largest migration of people had totally upset the equilibrium of the population not only physically but also emotionally and psychologically. During such times, the arts could not get attention of the people or the government. Pakistani music was neglected more than all else. With the sole exception of Radio Pakistan, not even a muffled sound of music was ever heard. The memory of live music concerts lingered in the minds of a few. If lovers of music had nostalgic memories, the musicians were totally frustrated. The height of despair was reflected in the decision of Ustad Bade Ghulam Ali Khan to leave the country. Soon after, Roshan Ara Begum announced that she was giving up Riaz as no one seemed interested in listening to her music. Her announcement jolted concerned citizens into action. Accepting the challenge, they decided to find ways and means to revive and rejuvenate the seemingly lost but rich and glorious heritage of classical music.〔(All Pakistan Music Conference » History )〕
On September 15, 1959, these concerned citizens met at the famous Coffee House of Lahore and launched a voluntary organization under the title and style of The All Pakistan Music Conference. The main objective of the APMC was to promote music and musicians by organizing concerts, conferences and festivals. It was decided to hold, as soon as possible, a large event on national level to focus attention on our melodic culture. A festival of folk, light, semi-classical and classical music was announced for February 19, 1960 to February 23, 1960. Spread over five evening and two morning sessions, the festival was an instant success. Musicians from all over the country had participated. People from all walks of life, from all the big cities, Dhaka, Quetta, Karachi and Peshawar, and from towns and villages all over Pakistan attended the concerts in large numbers. The programme started daily at eight in the evening and lasted for five to six hours with the last evening closing a couple of hours after sunrise – a glorious day had dawned. The festival was the first major step which gave new lease of life to music in Pakistan. Followed by monthly concerts, it helped promote this noble art. Simultaneously, the festival helped project musicians. Great masters of whom the general public had not even heard and who were hidden even from the discerning eye were brought to the fore.
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